Category: Reviews

The View from the Bench: A Review of the Northern Meeting Gold Clasp 2022

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At just after 08.30 on day two of the Northern Meeting, Greg Wilson stepped on to the stage of the Eden Court Theatre, tuned calmly and played the ‘Big Nameless tune’ – Cherede Darievea smoothly and softly on a sweet pipe with just minor technical imperfections. The judges settled, ears agog. The audience sank into their seats, eyes half-closing already. Business as usual. Then Roderick MacLeod gave us Donald Ban….

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Braemar Gathering Results – Updated with Comment, Pictures and Juniors

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The final major Highland games of the summer was held in dry, overcast, but warm conditions. There were changes at the piobaireachd board with a new canopy and screen. This helped greatly in reducing extraneous noise and unwanted breezes. One minor hiccup came when Jamie Forrester put a brogue through a rotted plank on the platform. Luckily he was still tuning. It was the only foot he put wrong in…

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How to Maximise the Commercial Potential of the World Pipe Band Championship Grade 1

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Following our recent articles on the Worlds 2022, these social media responses are worth repeating. The first is from from reader Mark Christy: In past years I too was annoyed by the inability to hear the Grade 1 bands. Indeed the free seat location was far better than the paid seat. The RSPBA should have a study of the professional production down the road. At the Edinburgh Tattoo it’s all…

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Why I Won’t Sit in the Stands at the Worlds Again

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Fistly I want to say thanks to Alistair Aitken for his reports from the 2022 Worlds. They are always respectful, well researched and authoritative. I was interested in his comment: ‘Perhaps strangely, most of the spectators preferred to stand or sit around the competing band arenas.’ By Iain White I can give some personal insight. I have attended the Worlds for as long as I can remember with my two…

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Editor’s Notebook: The Worlds, The Worlds, The Worlds

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A few more thoughts from the Green. I must respectfully take issue with one aspect of Alistair Aitken’s excellent article of a couple of weeks ago. He wrote: ‘…..one of the main reasons for pipe bands traditionally competing in a circle as the original thinking all these years ago was that the circle contains and balances the sounds much better.‘ I am not sure there was ever any trial done…

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