We have had a number of letters regarding last week’s series of articles by Adam Aitchison on the need for an approved structure for those wishing to make the progression from amateur to professional ranks. (Read Adam’s articles starting here.) Unfortunately the responses have all been made anonymously. We assume the writers are afraid their competitive success may be compromised by their putting their heads above the parapet (a common…
One of the pleasant things about doing overseas piping trips is getting to to know your teaching colleagues better. Brian Lamond has been with us this week at the Northern Winter School in Germany. On a quiet evening I was able to ask him about his early career and how he ended up with lessons from Captain John MacLellan. Brian had been started on the chanter by a local man,…
Commenting on our history of Northern Ireland’s Robert Armstrong Memorial band, reader and retired P/M Allan Tutt writes: I have read that John (aka Jack) Geddis (1905-1976) was an honorary member of the Robert Armstrong for many years. I have a watermarked photograph of Jack (courtesy of Kitimat Museum) standing in full uniform playing his beloved pipes upon a seaside pier in front of a passenger ship in Kitimat, British…
The Eastern United States Pipe Band Association offers an interesting model on how to create a pathway between amateur and professional grades. EUSPBA operates competitions across a unified grading structure from novice to professional with players graded according to skill and previous competition results – but I am not suggesting that Scotland simply copies that. The Scottish piping tradition, competition structure and history are different. By Adam Aitchison But there…
CLASP currently publishes set-tune lists for its in-person competitions, while online competitions and the World Amateur Solo Piping Competition operate on an own-choice basis. I understand the practical reason for this. CLASP is an international organisation. Asking an overseas competitor to travel to Scotland for an in-person competition and preparing a prescribed repertoire is one thing; requiring an overseas competitor competing remotely to learn a set-tune list may be considerably…
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