Editor’s Notebook: Queen’s Awards/ Medley Analysis/ SPA/ Eagle Pipers/ US Piping Job/ Kyle’s Album

Over the years many individuals have received recognition for their work for piping. I can’t remember anyone whose award has been met with such widespread approval and happiness as that for Iain MacFadyen. I think it would be fair to say that there has never been a piper more deserving of a Royal honour than Iain. Most correspondents echo that – and the view of Iain Marshall in our comments…

Some Innovative Suggestions on the Way Forward for the Pipe Band Medley

RSPBA Adjudicator Robert Mathieson concludes his series on the future of the pipe band medley. The series was published by kind permission of the RSPBA. Read part 1 here and part two here. At the end of the day results are merely an opinion – and we all have those. It’s a by-product of the comparative analysis system we use. Yet I hope this three-part series, plus my earlier report…

HM The Queen Honours Piping Legend Iain MacFadyen

The piping world will be thrilled to learn that Iain MacFadyen, Kyle, has been awarded the British Empire Medal in the Queen’s Birthday Honours List, writes the Editor. Iain, 86, has achieved worldwide renown both as a player and as a teacher. His pupils have featured at all levels of prizelists for the past 60 years. He became one of the first school’s instructors in piping when, in 1974, he…

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Changes in Pipe Band Make Up and Why the Medley Needs to Evolve

RSPBA Adjudicator Robert Mathieson continues his expert analysis of the Grade 1 Medley with particular reference to the first Major of the season, the British at Gourock. This article appears by kind permission of the RSPBA. Read part 1 here. How do we encourage the evolvement of creative artistry in our medleys? The contest rules and constraints placed on the Grade 1 format has not changed or developed in over…

The Need for Aesthetic Analysis in Grade 1 Medleys

RSPBA Adjudicator Robert Mathieson continues his expert analysis of the Grade 1 Medley with particular reference to the first Major of the season, the British at Gourock. It was written immediately after Robert spent ‘a day in the dugout’ listening to all the performances in the grade in a non-judging capacity. This article appears by kind permission of the RSPBA. I heard and enjoyed all ten Grade 1 medleys at…