Tag: bagpipes

New Covid Study Gives Boost to Piping

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Playing wind instruments generates fewer airborne particles than speaking or singing and is no different than a person breathing, a study by scientists at Bristol University has found. This new research could have a significant bearing on the full resumption of piping contests and recitals. Scientists say the findings, published online in the journal, Aerosol Science and Technology, could help end restrictions in the performing arts. The study examined the…

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RSPBA History: ‘Farcical’ and ‘Tragic’ Judging in the Post War Pipe Band World

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We conclude our look back at the history of the RSPBA as described in an edition of the Piping, Drumming and Highland Dancing Journal of 1949. The author, Mr RC Whitelaw, Secretary of the then Scottish Pipe Band Association, turns his forensic eye on the establishment of a pipe band college and problems with judging as he saw it. Pictured are Bowhill Colliery Pipe Band, Fife, winners of the first…

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CLASP Amateur Solos: Virtual Highland Games Results

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There was a big virtual turnout from all across the globe for this event. It was the first time that CLASP ran Grade Four events also. Prizes were sponsored by R G Hardie & Co Bagpipes and the judges were: Alex Gandy, Dan Nevans, Connor Sinclair, John Mulhearn, Gail Brown, Alastair Dunn, Donald MacPhee and Calum Brown. Pictured above is Grade 2 Overall Winner, John Nevans from Airdrie, Lanarkshire. The World Solo Amateur…

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Ten Years After: The World Pipe Band Championship of 2011, Part 2

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We take another look at the Worlds held at Glasgow Green in August 2011 with photographs and excerpts from reports from our Editor Robert Wallace. Here he concentrates on the Grade 1 March Strathspey and Reel. Gradually you came to the realisation that there was not one person present who did not believe they were listening to the 2011 World Pipe Band Champions. For Field Marshal Montgomery Pipe Band, from…

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Review – The Shasta Collection of Modern Piobaireachd

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On being asked to review this recent publication I realised that I have stated many times in recent years that I am a supporter of modern piobaireachd composition. With further reflection the realisation dawned that many of the tunes in my repertoire I considered modern were approaching fifty years of age. I was facing an opportunity to take a look at much more recent compositions. The book reproduces the scores…

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