Rare Recording of P/M Donald MacLeod – Part 2

More from maestro P/M Donald MacLeod in these excerpts from the historic recording made at an impromptu recital given in Seattle, WA, in 1955 whilst Donald was on a tour of the western US and Canada. I reckon Donald would have been in his early 30s at the time of the recital. On leaving the Army he joined the firm of Grainger and Campbell in Glasgow with John MacFadyen as…

Rare Recording of Pipe Major Donald MacLeod from 75 Years Ago

We are grateful to Jack Lee of British Columbia, Canada, for forwarding this historic recording of Pipe Major Donald MacLeod, writes the editor. It was made in Seattle, WA, in 1955 whilst Donald was on a tour of the western US and Canada. At the time he was still a serving soldier based at Fort George near at Inverness. As can be heard in the introduction, the recital was impromptu,…

Editor’s Notebook: Judges Training/ RSPBA Website/ St Columba’s Concert/ Pipes ID/ Gloria Aicken

When chatting to Jack Lee before his Talk Piobaireachd presentation this week we rounded on the need for continuous professional development (CPD) among judges and teachers. It was this that made sessions such as TP so valuable. CPD is common in all walks of professional life and piping should be no different. Jack’s tunes were the Earl of Seaforth’s Salute and the King’s Taxes. Both I have played and taught…

Editor’s Notebook: Bob Nicol/ Tonight’s Recitals/ RSPBA Website/ Solo Judging/ Balvenie Medal

Reading Duncan Watson’s article on Bob Nicol I thought, ‘they don’t make ’em like that any more’. Quite a character. To be a good teacher you must have a clear vision of how a tune should be played and RB Nicol clearly had that. Too many alternatives and the student becomes confused. But there is more to the man. When all we hear is of Nicol’s teaching we tend to…

Pipe Band Judges Ensemble Seminar

Thanks to an invite from Robert Mathieson and John Reville, I was able to spend a couple of hours sitting in on last Saturday’s RSPBA judges’ online seminar. There were 62 participants, a mix of adjudicators and leading pipers and drummers. The subject was ensemble, something that has featured over that past while in these pages. Much of what I heard and saw was new to me, eye-opening even. By…