Review: The Raasay Concert in Pitlochry Town Hall

The evening which was to feature a range of different bagpipes started with a bang. Angus MacColl played one of the copies of the Black Set of Kintail that Hamish Moore has made.  These pipes can be found in Inverness Museum and are dated to 1785.  This particular set, in the key of A and made in mopane wood, was presented to Rachel Gray as her prize for winning the…

Amateur to Professional Pathway: Readers Respond

We have had a number of letters regarding last week’s series of articles by Adam Aitchison on the need for an approved structure for those wishing to make the progression from amateur to professional ranks. (Read Adam’s articles starting here.) Unfortunately the responses have all been made anonymously. We assume the writers are afraid their competitive success may be compromised by their putting their heads above the parapet (a common…

Editor’s Notebook: Lessons from the Captain/ Iain Dall MacKay/ NZ Bands/ Glass Chanter

One of the pleasant things about doing overseas piping trips is getting to to know your teaching colleagues better. Brian Lamond has been with us this week at the Northern Winter School in Germany. On a quiet evening I was able to ask him about his early career and how he ended up with lessons from Captain John MacLellan. Brian had been started on the chanter by a local man,…

P/M Jack Geddis, Northern Ireland and British Columbia

Commenting on our history of Northern Ireland’s Robert Armstrong Memorial band, reader and retired P/M Allan Tutt writes: I have read that John (aka Jack) Geddis (1905-1976) was an honorary member of the Robert Armstrong for many years. I have a watermarked photograph of Jack (courtesy of Kitimat Museum) standing in full uniform playing his beloved pipes upon a seaside pier in front of a passenger ship in Kitimat, British…

Is It Time to Rethink the Amateur-to-Professional Pathway? – Conclusion

The Eastern United States Pipe Band Association offers an interesting model on how to create a pathway between amateur and professional grades. EUSPBA operates competitions across a unified grading structure from novice to professional with players graded according to skill and previous competition results – but I am not suggesting that Scotland simply copies that. The Scottish piping tradition, competition structure and history are different. By Adam Aitchison But there…