Category: Comment

Invited Pipers for Lochnell Championship Announced

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The Argyllshire Gathering Trust is delighted to announce that the Lochnell Intermediate Championship will be held at Lochnell Castle, Benderloch, on Saturday, 11th October 2025. This is by kind permission of the Earl of Dundonald and arranged by his son Lord Archie Cochrane and Hattie Mellor. Invited pipers are all prominent winners on the 2025 solo circuit and are aged under 22: Bobby Allen, Douglas Baird, Kyle Cameron, Calum Dunbar, Christopher…

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Review: ‘The Ivernia Collection’ by Tim Farrelly 

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Ivernia is one of the oldest recorded names for Ireland and this book contains many old melodies and contemporary pipe music from that island. The compiler, Tim Farrelly, is the current P/M of Grade 2 St Joseph’s PB, Clondalkin. His upbringing in piping has been strongly influenced by the Irish traditional music scene and in this book he pays tribute to a variety of individuals who have shaped his music,…

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Editor’s Notebook: Worlds Comments/ RT Shepherd/ Eilidh’s Trust/ PS Summer School

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A respected figure in the pipe band movement has commented on the Worlds and the current arrangements at Glasgow Green. His views follow yesterday’s from RSPBA Chairman Bob Niven but are not related. Our correspondent asked us not to publish his name. He writes: ‘Did everyone enjoy the World Championships this year? I listened to the Grade 2 MSR in the morning and, with the exception of Glasgow Skye, who…

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RSPBA Chairman on the Changes at the Worlds

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This has been a difficult year for the RSPBA with four major championships only (and one poorly attended). However the Worlds in August at Glasgow Green were viewed by everyone as an outstanding success with a number of notable innovations streamlining the Championship and finding favour with all but the most churlish. We interviewed Association Chairman Bob Niven and discussed some the changes with him and whether they would become…

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Reflections on the Northern Meeting Part 2

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Friday, after attending to duties with the juniors, I headed into the Clasp. The music and instruments heard here were alone worth the £27 admission, writes the Editor. I heard all but the first four performances. The top three were hard to split. Callum Beaumont had, for me, the sort of bagpipe you encounter but rarely. The top hand had a bell-like quality, chiming with the drones throughout the Daughter’s…

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