CLASP Online Winners/ Recognition for Cameron

CLASP, the Competition League for Amateur Solo Pipers, runs three ‘live online’ competitions each year, writes Margaret Houlihan. This format was introduced in Covid times, but continues to grow in popularity attracting amateur adult pipers to compete ‘live’ from the comfort of their own home and from anywhere in the world. Once the live video performance is captured, these are emailed to the judges for consideration. This gives the judge a visual…

British Championship Tickets/ Pipe Major Ian McLellan/ David Weir/ Kintyre Book

Tickets are on sale already for next summer’s British Pipe Band Championships at Ingliston. The date is May 30th. Mark Currie, Director at the Royal Highland Centre, said: ‘It’s a real honour to be hosting the championships once again… Visitors can expect a vibrant festival atmosphere.’ ‘Tickets are available now via our website, and early booking is recommended due to high demand. Children’s tickets are £12.50, adults £15 and family…

Mull Games and the Ceannloch Pipe Band

What a surprise to see and read about Mull Highland Games last week in Piping Press. By 1965, I was living in Glasgow but had purposely not signed up with any pipe band.  The Games being in July meant I was on holiday in Campbeltown (it was the annual Glasgow Fair) and for several years I remained with the Ceannloch-Campbeltown Pipe Band to maintain competing numbers.   By Iain Duncan…

Lament for the Castle of Dunyveg and the Campbell Canntaireachd

Reader Tom MacKenzie has written from Canada: ‘What was your source for the typeset version of the Campbell Canntaireachd in the article on the Lament for the Castle of Dunyveg? Having the ‘scientific notation’ with the canntaireachd is, I think, an excellent idea. Now I can sing the tune with the canntaireachd. ‘I have the ‘Pipers Meeting’ book by Patrick Molard and Jack Taylor, but the tune is not in…

Consideration of Upper Limits on Numbers Following the Demise of two Grade 1 Bands

Recently, two first grade pipe bands ceased operations, unable to attract enough competent pipers and drummers to compete confidently at the top level. This reduction highlights a growing issue: the remaining top bands have become so large that they absorb much of the available talent, leaving fewer skilled players to sustain other Grade 1 or 2 bands. By Allan Hamilton Historically, a greater number of strong bands existed precisely because…