Category: Tuition

Editor’s Notebook: Practice Time/ Low G Taorluath/ Sgian Dubh/ Internship/ Coronation Tune/ Results 1996

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How many of you come close to following the guidance in this practice table? I suspect not many will manage the five hours a day. The maximum I could ever do, in say the run up to to Oban and Inverness, would have been two hours. For my pupils I recommend a minimum of an hour a day. This can be split into three sections: 20 minutes on the practice…

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Blair Atholl Gathering Order of Play and Judges

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This Sunday, May 28, sees the Blair Atholl Gathering with more than 60 solo pipers, junior and senior, scheduled to compete. In the Seniors there are graded contests for piobaireachd. Light music events for March, Strathspey and Reel and Hornpipe & Jig are open competitions. Such are the numbers that the ceol beag will be split into four heats with judges selecting four in each category to go forward to…

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Editor’s Notebook: The Games/ Major Small/ Pretty Marion/ Festival Pix/ Book Help

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Nothing epitomises the romance of the games more than this old photograph from Glenfinnan in the 1970s. It shows the famous bench of Seton Gordon, Angus MacPherson, Invershin, and Col. Jock MacDonald, Viewfield, Skye, in confab. Combined ages not that far off 300. Clearly making notes after discussing the playing, but later just as likely to be talking of some arcane ethological phenomena (Seton was a renowned naturalist), a convoluted…

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Northern Ireland Report: FMM’s Outstanding Tribute to P/M Frank Andrews

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On Friday April 28th the eagerly awaited Frank Andrews Tribute Concert took place at the Tullyglass Hotel in Ballymena. There was an attendance of 600 and it was an outstanding success. I have attended the majority of the big pipe band concerts over the years, at the County Hall or the Waterfront Hall, and I would venture to say that this was amongst the absolute best. The star act was…

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Editor’s Notebook: Willie Ross and Robert Reid/ Book Plea/ Gordon’s Tune/ Clan MacRae and Glasgow Skye

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I am sure P/M Willie Ross did seminal service to piping when he streamlined the playing and writing of our ceòl beag technique. Gone were the doublings on C with the two D gracenotes, the open style of taorluath writing, the heavy D throw, the gracenoted birl. His six books also provided a catalogue of standard settings of many of the classic competition tunes in versions that everyone agreed were…

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