What Pipe Band Adjudicators are Looking For – Part 4

In concluding his informative articles on pipe band adjudication former judge Alistair Aitken OBE identifies specific factors associated with pipe band assessment. This should serve as a ‘ready reckoner’ for all bands competing and non-competing. Mr Aitken splits his list of ‘requirements’ into three sections, drumming, ensemble and piping which where he begins. Introduction No sound from drones until 5th beat of 3-pace rolls All drones in together accurately and…

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What Pipe Band Adjudicators are Looking For – Part 3

In this excerpt we explore in more detail some of the terminology the RSPBA expect its adjudicators to use in critique sheets which provide the feedback to pipe bands on competition performances.  The aim is to help pipe band personnel to better understand adjudicator comments and learn from the experience. Please be aware that these comments are from my time working on adjudicator training for the RSPBA and details and…

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What Pipe Band Adjudicators Are Looking For – Part 2

Pipe band expert Alistair Aitken OBE continues his detailed analysis of the judging of pipe bands. Read his first instalment here. The effective pipe band adjudicator should, sub-consciously, be taking the following aspects into account whilst listening, analysing and ranking different performances. Rhythm: This is defined as ‘the regular recurrence of strong and weak accents arising from the division of music into regular metrical portions‘.  In making a rhythmical assessment,…

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What Pipe Band Adjudicators Are Looking For

Several weeks ago someone, in responding to Piping Press, asked if the magazine had any information about pipe band adjudication. For many years I was involved in adjudicator training for the RSPBA and at the time I recalled a couple of articles I had prepared for Pipe Band magazine. I have since amalgamated them into a single file and added a little too. It may be that what I write…

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Reflections on the 2019 World Pipe Band Championships – Part 3

The adjudicator placings across the four Grade 1 competitions were in the main consistent, apart from some wide differences between drumming and ensemble in the Saturday MSR competition.  I would have expected these placings to have been closer as both adjudicator disciplines should be considering, among other aspects, the influence of the drumming on the piping.  The consistency of piping results has improved markedly since the start of the 2019…

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