Congratulations to last weekend’s Grade 1 winners St Laurence O’Toole at Bangor, Northern Ireland, and Scottish Power at Banchory.
It is good to see these big bands supporting the smaller contests and not just the major championships. At the latter the Power narrowly beat Fife Police on ensemble preference and at Bangor it was Field Marshal who were nudged into second on a third prize for their drummers.
There has been a lot of talk recently about drumming judges deciding band contests and I have some concerns too. Where the drumming judge is approaching his duties through the prism of the pipe band I don’t have a problem. But where the drumming is considered in isolation from the rest of the band – the corps, its unison, its technical brilliance – then should his points allocation really have parity with, say, ensemble?
The same goes for the separate drumming prize. I have no problem with it provided the assessment is made with the band in mind and not solely the corps as a unit. That there is an issue is surely pointed up by the fact that a band can win the ensemble yet be seriously marked down by a drumming judge.
Is it time for two drumming judges at the top end, one that looks solely at the corps as a unit and another who assesses how well the beatings accompany the pipers? Half points for each. Or if you think that too unwieldy, keep the four judges but allocate only three sets of points, two piping and one ensemble/drumming, their combined total halved. That would solve the problem overnight.
Or maybe it would be best to wait and see how the move towards consultative judging pans out. Post-contest and in a tent with his fellow adjudicators, a drumming judge who has buried a band that the piping and ensemble judges had first or second might not feel so sure of himself and perhaps the final placings would be decided on a more holistic basis. It’s all about getting the best possible system and we must never forget in these days of huge drum corps and expanding ‘mid-sections’ it is a pipe band we are trying to adjudicate.
Thanks to Hugh MacCallum for clearing up the identity of the man in the middle of the Oban pic published last week. Hugh writes: ‘Interesting photo on the PP today. The gentleman behind John MacLellan in the photo is the late Dr Kenneth MacKay, Laggan, a stalwart on the bench for many years.’
Dr MacKay did a huge amount for piping in the Laggan area and it was for him and his pupils that Bob Brown, Balmoral, recorded a whole series of tapes of tunes. This catalogue formed much of the basis of the ‘Masters of Piobaireachd’ CDs Norman Matheson and I produced and edited for Greentrax Recordings (starting in 1998) and which have proved so popular among ceol mor students.
I hear that the Scottish Pipers’ Association KO final a week past Saturday required a hurried change of schedule when finalist John Patrick called off sick. In their wisdom SPA officials decided the show must go on and the other finalist, Stuart Liddell, was more than happy to play twice. He of course received the generous winner’s cheque courtesy McCallum Bagpipes, and well done to all concerned for upholding the best of showbiz traditions.
Listeners were astounded by Stuart’s breadth of repertoire, playing as he did for 80 minutes and not a tune and hardly a gracenote out of place. The bagpipe was robust and perfectly tuned to the end of a mighty performance that included a rendition of the piobaireachd Lament for Alasdair Dearg MacDonell of Glengarry.
As I said in my Tips for the Games piece, anyone who can’t play for more than forty minutes without drowning in a puddle of perspiration has something wrong with their instrument and despite the lights, the crowd and the occasion Stuart Liddell, a modern-day master, sailed through this twice-as-long concert on a breeze.
Congratulations to all the successful candidates at the recent prizegiving of the Northern Ireland Piping & Drumming School (see pic up top). John Kelly reports: ‘The NIPDS ‘Annual Presentation of Certificates’ was held in Laurelhill Community College, Lisburn on Wednesday 4th May. Prizewinners, parents and guests were welcomed by the School Director Mark Armstrong, who also gave a brief report. The special guest was Councillor Thomas Beckett (Mayor of Lisburn & Castlereagh City Council) who presented the certificates. The ‘Student of the Year’ was John McEvoy (Annsborough Pipe Band) who was presented with the Gavin Bailie Memorial Trophy by Gavin’s father, Sam Bailie. The talent of the NIPDS students was clearly evident as some of them took part in a short musical programme prior to the presentation of certificates; also taking part were the Kathryn Stewart School of Highland Dance and the Co Armagh Drum Majors. A light supper was served afterwards.’
